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Clayface: Minghella Reveals How DC Pulled Off Its Most Disturbing Movie’s Grotesque Effects

A bold DC body-horror story

Clayface marks the DCU’s first live-action look at Gotham City, where Batman is confirmed to be operating in the shadows. Collider’s Gabrielle Moss described the body horror as unlike anything previously seen in a DC film.

Minghella says Mike Flanagan’s script and Watkins’ approach to the gore made the project an instinctive choice. He believed Matt Hagen’s rise and fall could resonate with audiences.

Practical effects and performance

Minghella discussed how the film handled its goriest effects, with Watkins favoring practical methods and traditional filmmaking techniques. The aim was to keep the horror physical and tangible.

He credits Harries’ demanding work as the gruesome lead with helping hold the movie together. Minghella described the performance as both physically and emotionally taxing.

A small White Lotus role

Minghella says his connection to producer Dave Bernad helped lead to his casting in The White Lotus. He has long admired Mike White, the show’s creator. He said he is not a principal actor in the series, but described his part as a fun and special opportunity. On set, he was impressed by Chris Messina’s unexpected approaches to scenes.

Directing The Shards

Minghella directed two episodes of The Shards, an adaptation of Bret Easton Ellis’ novel for Ryan Murphy’s company. He said his enthusiasm for Ellis’ work and his close relationship with Kaia Gerber helped bring the project together.

He called the experience the most joyous of his professional career. Minghella also said he learned from Watkins’ collaborative manner with actors and carried lessons from Clayface into The Shards.

Key points

  • Minghella says Clayface relied on practical, tactile techniques for its grotesque effects.
  • He praised Tom Rhys Harries’ physically and emotionally demanding performance as Matt Hagen.
  • Minghella says producer Dave Bernad helped connect him with The White Lotus.
  • He directed two episodes of The Shards and called the work his most joyous professional experience.
Read the original on Collider ↗

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